Friday, January 23, 2015

Where's That Good Bowl Shape?

 New bowls! I've been trying to get into my hands a form I see occasionally in others' work and have in my mind's eye: bowls that lift and flare from a narrow base, up and out. It's a gesture, like flinging out your arms to the sky. I see I wrote about this in October; what a long time til I have concrete, well, ceramic, results. And these are an intermediate effort, not a consistent success.


Is this it? It's got some of the quality, but I think loses the energy of the flare because the top turns inward.





This one? Yes, more lift.





Maybe even better with the top edge turned outward. This adds open hands to that arm gesture.



Here's a rounder bowl, with the narrow base and not much flare. I like it but it's not the same shape at all.


A little more of the flare. Better, definitely. Very small differences make a significant difference in quality. And I am only looking for one quality here. The rounder bowls have other kinds of quality  (I am exploring adding slip for texture and I like it in these 2 bowls.) Very complicated.

What about functional quality? Yes, the bowls seem well balanced with such a narrow base, though I've made wider ones that tip. There is a limit to the width that works.

The top edge seems to look equally appropriate, whether it is level, wavy or cut. So this is not a difference that makes a difference. 

And the glazes? These bowls are  also an exploration of cone 10 glazes I have available.


How about that wild combination? The bowl is a bit tippy, but I like the colors.





Oh yes, though not news. I really like this rutile glaze on porcelain, even better with some texture to enhance the runny effects.

Conclusions? Just keep at it. There is an endless amount of subtle variety in this field, and an endless amount to learn.  Fun. Perhaps every subject is open like this, and so full of possibility that you never come to its end. The world is BIG!

No comments:

Post a Comment